A Geopolitical Reading of Knulp

Train to heaven in 2016 Korean drama Please Come Back, Mister / Come Back Alive / Come Back, Ahjussi

Identity has a peculiar relationship with itself. According to art and literary theorists, the act of naming or otherwise describing something replaces the true nature of the object with a representation which accuracy and comprehensiveness are constrained by human limits. Yet in public consciousness, one may contend, this caricature tends to be mistaken for the real thing in the long run. Thus, when a political subject assumes a cultural or national identity, he may inadvertently lose sight of his deeper identity—that which sometimes transcends ethnic, geographical and other boundaries or at least popular perceptions of such boundaries.

Continue reading