The Dark Sides of Education

Tomohiko Doi (Haruma Miura) in his soccer ball scene in 2016 Japanese drama Never Let Me Go / Watashi wo Hanasanaide

Kazuo Ishiguro is no Michael Crichton. Lying at the heart of his dystopian world in the novel Never Let Me Go, where human clones are raised as organ donors, is not futuristic speculation about biotechnology, but a metaphor for how awareness of the finitude of life influences ordinary people’s treatment of love and friendship. What also intrigues him are the stories we manufacture and share among ourselves to come to terms with mortality and accept our fate. Hauntingly, some of these stories and storytelling habits, together with constraints on human potential, may be propagated right in our education machines.

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